Marina Abramović & MAI in dialogue with Joseph Beuys
MEET THE ARTISTS
When
13.7. — 26.10.2025

Museum Schloss Moyland
Who
Yan Jun Chin (Malaysia/Germany)
Isaac Chong Wai (Hong Kong/Germany)
Cristiana Cott Negoescu (Romania/Germany)
Maria Stamenković Herranz (Serbia/Spain)
Sandra Johnston (Ireland)
Rubiane Maia (Brazil/United Kingdom)
Francesco Marzano (Italy/Germany)
Virginia Mastrogiannaki (Greece)
Michelle Samba (Friesland, Netherlands/Congo)
Luisa Sancho-Escanero (Spain/Germany)
Martin Toloku (Ghana/Netherlands)
Evan Macrae Williams (Canada/Germany)
Eşref Yıldırım (Turkey)

Curated by:
Serge le Borgne (France),
Billy Zhao (USA),
Antje-Britt Mählmann (Germany)
Photography and film:
Kirsten Becken (Germany)
In 2005, Marina Abramović presented 7 Easy Pieces at the Guggenheim Museum in New York, where she meticulously restaged seven performances by different artists, each lasting seven hours. For each performance she obtained permission from the artist or the estate and compensated them for the use of their ideas. One notable piece she re-performed was How to Explain the Pictures to a Dead Hare by Joseph Beuys, originally conceived in 1965 and first performed it at the Schmela Gallery in Düsseldorf. The documentation of Abramović’s re-performance and Beuys’s original staging serves as a vital foundation for ongoing artistic research in the Joseph Beuys Archive and within the collection of the Museum Schloss Moyland in collaboration with the Marina Abramović Institute (MAI). 
A group of international artists will create a series of new, site-specific, long duration performances aimed at revitalising the performative nature of the Beuys holdings at Museum Schloss Moyland. These performances will foster a renewed dialogue between the artwork and museum visitors, transforming the way audiences engage with the collection. In this innovative approach, the traditional rules governing the use of a collecting art institution will be suspended in favour of an experimental openness and processuality. For the first time, the Marina Abramović Institute will co-organise a month-long residency at the museum, during which artists will develop new performances informed by their research in the archive and collection on site.

Participating performance artists: 
Isaac Chong Wai (Hong Kong/Germany), Cristiana Cott Negoescu (Romania/Germany), Maria Stamenković Herranz (Serbia/Spain/France), Sandra Johnston (Ireland), Rubiane Maia (Brazil/UK), Francesco Marzano (Italy/Germany), Virginia Mastrogiannaki (Greece), Michelle Samba (Friesland, Netherlands/Congo), Luisa Sancho-Escanero (Spain/Germany), Evan Macrae Williams (Canada/Germany), Yan Jun Chin (Malaysia/Germany), Martin Toloku (Ghana/Netherlands) and Eşref Yıldırım (Turkey)

Documentation: 
Kirsten Becken (Germany)

An international performance project

A group of international performance artists will engage intensively with Beuys' work in the archive and in the collection as part of a month-long research residency at the ArToll art lab. The participating artists from Germany, the Netherlands, Turkey, Ghana, Brazil, Greece, Hong Kong, Romania, Italy and Ireland, among others, will develop site-specific performances that will be presented in the museum spaces. This artistic dialogue will open up new perspectives on Beuys' work and make his influence on contemporary performance art visible. A film documentary by Kirsten Becken will be released for this project and will be available in the Moylandshop and online.

Live performances and interactive supporting programme
A highlight of the exhibition are the staggered live performances that take place in the first month. Later, relics, videos and photographic documentation of these performances will be exhibited. From the beginning to mid-October, the exhibition will once again enter into a direct dialogue with visitors through a further live programme.
In addition to the performances, Museum Schloss Moyland offers a varied educational programme with lectures, tango workshops, artist talks and workshops. Young adults in particular are addressed through interactive formats. Inclusive programmes such as sign language tours and school workshops are also planned. Digital offerings such as interviews, podcasts and an accompanying magazine will enhance the exhibition experience.
Marina Abramović, 7 Easy Pieces, Performing Joseph Beuys, How to Explain Pictures to a Dead Hare (1965) Solomon R. Guggenheim Museum, New York, 2005 Foto: Attilio Maranzano ©️ Courtesy of the Marina Abramović Archives
ARTISTS:
Isaac Chong Wai
Choreographing Gravity: Dance Rehearsal
Performance week 1 und 2, July 13-27, 2025
Eşref Yıldırım
Camouflage
Performance week 1, July 13-20, 2025
Sandra Johnston
Bone-Battery//Flat-High
Performance week 1, July 13-20, 2025
Virginia Mastrogiannaki
TAVROS
Performance week 1, July 13-20, 2025
Francesco Marzano
Pneuma - Wärmezeitmaschine
Performance week 2 und 3, July 22 - August 03, 2025
Michelle Samba
I, Hereby
Performance week 2, July 22-27, 2025
Luisa Sancho Escanero
The Loop
Performance week 3 and 4, 29.07.-10.08.2025
Evan Macrae Williams
The Loop
Performance week 3 and 4, 29.07.-10.08.2025
Yan Jun Chin
The Loop
Performance week 3 and 4, 29.07.-10.08.2025
Maria Stamenković Herranz
The Painted Heron
Performance week 3 and 4, July 27 - August 3, 2025
Cristiana Cott Negoescu
Roulette
Performance week 3 and 4, July 29 - August 10, 2025
Rubiane Maia
Coming from the Plants
Performance week 4, August 05-10, 2025
Martin Toloku
Wounded-Soul
Performance week 4, August 05-10, 2025

The Museum Schloss Moyland is a nationally and internationally significant museum with an extensive collection of art from the 19th to the 21st century. At its core is one of the world’s largest collections of works by the internationally acclaimed artist Joseph Beuys, who was born in Krefeld and grew up in nearby Kleve. This is complemented by numerous important positions in postmodern and contemporary art, including works by James Lee Byars, David Hockney, Katharina Sieverding, Charlotte Moorman, and Wolf Vostell. The collection was initiated by the art-enthusiast brothers Hans and Franz-Joseph van der Grinten and continues to grow. Through special exhibitions and collection presentations, the museum today aims to engage with contemporary social issues and explore current media and themes. Particular emphasis is placed on representing societal diversity, with a commitment to equal representation of female and male artists, as well as other possible forms of identity. The increased inclusion of digital media is a key part of this reorientation. Since 2022, the museum has placed a stronger focus on performative artistic approaches and on fostering dialogue between the historical positions in its collection and contemporary art. The museum and its exhibitions are housed in a historic neo-Gothic moated castle surrounded by a park that includes an exhibition hall and sculpture garden, located near the Dutch border. The museum also includes the Joseph Beuys Archive and a specialist art library. Through its research, exhibitions, and educational activities, Museum Schloss Moyland has established itself as center for art with regional, national, and international reach.

Marina Abramović Institute (MAI) presents and supports performance art at a global scale. Through an artist driven process, the Institute maintains both a multidisciplinary approach to performance and a focus on long durational work. Fostering an international network of performance artists and public participants, MAI is a part of the legacy of Marina Abramović. The Institute creates communal participatory projects that critically engage with time, place, and human experiences. MAI seeks to address the complexity of the present time in order to shift awareness and consciousness of human beings through performance. In 2023, MAI opened its space in Karyes, Greece, to support creative processes around performance art and generate collaborative thinking.

SPONSORS & PARTNERS:

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PRESS CONTACT
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Romana Weissbacher
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SCHLOSS MOYLAND
Sofia Tuchard M.A.
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tuchard@moyland.de
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www.moyland.de